A few weeks ago, I stood in a spectacles shop trying on new frames. I found myself selecting a simple gold-rimmed wire pair. And in the mirror, I was reminded—which, I'll admit, took me by surprise—of four-year-old Calandre wearing something very similar, thanks to the design decisions of the NHS. And so today's conversation is perfectly timed. It is one about the relationship between form, function, and fashion.

Most creative entrepreneurs exist at this intersection most of the time. They are drawing together their creative ideas and ideals, colours, materials, combinations, and methods alongside the practical need for things to 'work'. I am quite sure that this tension creates excellence—and, I am sure, many an existential crisis. We are joined today by Charlie Ingham, founder of Soho Bespoke, an eyewear design consultancy. Charlie designs spectacles for both opticians and fashion brands. She works from concept to sampling and manufacture across the UK, Europe, and Asia. With clients including JW Anderson, Margaret Howell, Cubitts and Nanushka, I can safely say Charlie has just the insight we are looking for on this topic.

We are going to explore the eyewear industry and the fine craft of spectacle making. We will consider the importance of function, understanding, and science before looking at the dynamics of look and feel. Finally, we will debate their combination and connection.